String heights that are too high will be a barrier to good tone production, too low, and strings may rattle. String heights need to be carefully adjusted not just to a normative number, but to suit each individual player’s needs.
The bridge is at the heart of the entire setup of the instrument. Careful selection of blanks of wood and different approaches to cutting the bridge will bring better sound from the instrument.
Pegs must be at once functional, but they can also be expressions of beautiful craftsmanship as seen with these French boxwood pegs.
The setup of an instrument enables luthiers to adjust and refine the way the instrument feels and responds to the hand and bow of the player. When setting up my new instruments for players, the player and I have a detailed conversation about how the player needs the instrument to function and how they expect the setup to feel. The adjustment of setup is best refined with the luthier and musician working together, and for this reason I encourage players to visit my workshop either when the instrument is first made or some point thereafter in order to move the new instrument towards a personal and optimized sound and feel. Careful setup recognizes that not all players are the same. Some have stronger hands, some have smaller hands. String heights and spacing can be adjusted accordingly. Some players have long necks, some shorter. Different chin rests can be tried to produce the most comfortable fit for the player. If commercial chin rests do not prove adequate, I am willing to make a custom chinrest for my clients. To see a short photo essay on how chin rests are made click here.
Setup also needs to be monitored and adjusted during the life of the instrument. For this reason, I encourage owners of my instruments occasionally to bring or ship back instruments for routine maintenance and adjustment.
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